According to a report from Tiny Cartridge, hackers are starting to delve into the 3DS, illegally. This may open up pathways for pirates to obtain and distribute games on the black market. The good news is that Nintendo has the ability to put up a good fight against pirates due to 3DS system updates and such. Let’s hope this is enough to stop piracy. Time will tell.
Piracy on the Nintendo DS crippled the DS retail market, especially in Europe. We’ll never know how/if Dementium II landed in as many hands as the first game, Dementium: The Ward, due to the rampant piracy at the time. Dementium: The Ward sold more than 100,000 copies worldwide, which is a great success for an original mature-rated title on the DS. Recorded sales of Dementium II are less than half that. We’ll never truly know why that was so, but many seem to believe that piracy had a lot to do with it.
If piracy gets bad on the 3DS, we will have no choice but to stop supporting the platform with new games. Some say that piracy leads to more game sales, claiming that it enables players to try before they buy. Bullshit. The percentage of people who will spend money on a game that they already got for free is surely very small – especially with so many “free” games already in the market. The line between what should/should not be free is getting very blurry.
If these hackers really want to mess with the guts of a 3DS, why not become legit developers for it and let the world enjoy their talents? Many of today’s great programmers used to be hackers back in the day. It is a great way to learn the craft. Putting ones efforts towards the creation of legit games instead of potentially crippling the market seems like a much more fulfilling path.
Sunday, December 30, 2012
Friday, December 28, 2012
Tuesday, December 18, 2012
Monday, December 10, 2012
Why is Mutant Mudds $1 on the App Store?
A
question I have been asked is why Mutant Mudds costs only $0.99 on the App
Store when it costs $8.99 on Nintendo eShop. I’ll try to justify it.
Mutant
Mudds was first released on the Nintendo eShop on January 26, 2012. The
Nintendo eShop was a very new market, so all I really had to go on in regards
to comparable pricing of platformers was DSiWare – the digital download store
on the Nintendo DSi. The two main titles I looked at were Shantae and Cave
Story. Shantae was priced at $12 and Cave Story was $10. I felt that Mutant
Mudds was similar in scope to these, if perhaps slightly on the lighter side
when compared to them, so $8.99 felt like a competitive price for a platformer in
a Nintendo handheld market.
When
the game released, most people agreed that the price was fair, even though it
was the most expensive title on the Nintendo eShop at the time – if you do not
count DSiWare titles, which are also available on the store. Including Shantae
and Cave Story.
So
then it came time to think about the pricing of Mutant Mudds in the App Store. I
was new to the market in terms of being a consumer, so I did not have an immediate
feeling of where the game should be priced competitively. I knew it could not
be priced as high as the Nintendo eShop version, due to lack of buttons and 3D,
but I was not sure how much lower I should go.
I
did a lot of research on other titles and gauged how successful they had been.
What is nice about the App Store games is that the data is fairly transparent.
You can see top paid titles, highest grossing titles, number of reviews, number
of active players on Game Center, and other such indications that give you a
decent impression of how well a game has sold. Looking at the top paid apps
today, you’ll notice that the majority are priced at $0.99. Sure, there are a
few that are priced higher, but they typically offer a well-known brand or perhaps
a state-of-the-art experience with cutting edge graphics and such. Mutant Mudds
is not a large brand that can command “premium” price, nor does it sport
state-of-the-art graphics. J
I
even considered going freemium with the game and chopping up all of the game
contents in purchasable chunks, but quickly ditched that idea when it just didn’t
feel natural for this game. But, I am glad I at least considered that pricing
model.
Other
research that I uncovered suggested that even pricing a game above $0.99, say
at $1.99, would result in less than 50% sales – meaning; if you can sell 100
copies at $0.99 you should expect to sell less than half that when priced at
$1.99. That’s crazy!
Another
painfully obvious fact is the quality of games now available on the App Store
for $0.99. In an interview with GimmeGimmeGames, I recently said:
“The quality of games that can be
purchased on the App Store for $0.99 is very high. Titles like Jetpack Joyride
and Bad Piggies make it a very competitive market. We have to try and compete
with that quality and price-point.”
Each
market is different, not only due to the audience that is actively purchasing
goods in those markets, but also due to how that market is presented to the
public. After only spending a short time buying games in the App Store
you are quickly conditioned to hunt for games that are free or $0.99. Only a well-known
brand or an out-of-this-world impressive game can demand “high prices” such as
$4.99 and above. It’s a crazy thing. But, it’s real.
We
make games because we love to. We also want to continue to make games. That
means we have to position our games competitively in each market in an attempt to
maximum on the cash we receive. The inevitable result is that some people will
get upset. I don’t like that fact. But, it is unavoidable. What makes it bearable
is the fact that there are just as many people, if not more, who are ecstatic
about the price of the title in their market, because that’s where they live
and they understand or can appreciate the business side of things.
I
hope this helps shed some light on how we approach such things. Happy gaming.
Friday, December 7, 2012
PRESS RELEASE: Mutant Mudds Makes a Splash on the App Store
Austin, Texas – December 7, 2012 – Today, Renegade Kid announced that Mutant Mudds, the critically-acclaimed “12-bit” platformer, is available for download on the App Store for the iPhone®, iPad®, and iPod touch®.
Our hero, Max, may be just a 2D sprite, but he can leap into the third dimension by jetting between the background and the foreground playfields with his trusty jetpack in this unique dimensionally-woven experience.
Armed with a heavy-duty water cannon, Max has what he needs to vanquish his long-time nemesis: the Mutant Mudds. Max must blast and hover his way across the soiled landscape to seek out mysterious Water Sprites. Legend says collecting all of the mysterious Water Sprites will wash the filthy Mutant Mudds away for good!
“We’ve worked diligently to ensure Mutant Mudds maintains its authentic platforming experience on iOS devices,” said Jools Watsham, Owner and Director at Renegade Kid. “The result is something I am extremely proud of. We’re excited new players around the world will get to enjoy our 12-bit baby on their iPhone, iPad, or iPod touch.”
Mutant Mudds is now available on the App store for all iOS devices. To download Mutant Mudds, check out the official iTunes information page at: https://itunes.apple.com/app/mutant-mudds/id571172432
About Renegade Kid
Founded in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid LLC is an award-winning independent video-game development studio based in Austin, Texas. Having created many memorable gaming experiences for the Nintendo DS™ and Nintendo 3DS™, with titles including the Dementium series, Moon, ATV Wild Ride, Mutant Mudds and Bomb Monkey, the studio is expanding its portfolio by exploring additional gaming platforms. Renegade Kid is excited about the future of video-games, and continues to devote its efforts towards creating fun, high quality games.
For more information about Renegade Kid and Mutant Mudds, please visit http://www.renegadekid.com.
# # #
iPhone, iPad, and iPod touch are registered trademarks of Apple Inc. Copyright © 2012 Apple Inc. All rights reserved.
Nintendo 3DS and Nintendo DS are trademarks of Nintendo. © 2012 Nintendo.
Mutant Mudds, Dementium, ATV Wild Ride, and Bomb Monkey are trademarks of Renegade Kid LLC. © 2012 Renegade Kid LLC. All Rights Reserved.
Monday, October 22, 2012
Win Mutant Mudds on eShop for FREE!
Enter to win a free copy of Mutant Mudds for the Nintendo 3DS eShop - that's a digital download of a game with 60 bone-shatteringly fun and challenging levels (any actual bone shattering experienced during the playing of this game is purely coincidental).
All you have to do is follow the directions below. Competition ends at 12:01 am EST on Thursday, October 25th 2012 (that's basically midnight on Wednesday, btw). That's what Rafflecopter tells me, anyway.
Three lucky winners will be chosen at random on Thursday at around 11am CST. Good luck!
Monday, October 15, 2012
FREE Mutant Mudds eShop Update Trailer!
Available October 18 in Europe.
Available October 25 in North America.
Sunday, October 14, 2012
The Price is Right? Mutant Mudds iOS
The perception of how much money games should cost in the iOS App Store, for example, is very different when compared to the Nintendo eShop and other digital outlets. This is probably largely due to the majority of the audience being casual players and/or users who want simple pleasures on their phones instead of in-depth hardcore gaming experiences due to the limited time they have available to devote to gaming on their phone. This perspective might be slowly changing as the once ‘casual player’ is gradually finding their appetite for games growing and their desire to play more games increases. But, that’s a different story…
Nevertheless, the stage has been set and price expectations have been cemented for the near-future. Games on the App Store must – for the most part – be free or inexpensive to purchase if they are to appeal to the masses.
I would like to present to you, yes you, a (hypothetical?) question to ponder and ultimately answer.
Question: How much would you pay for Mutant Mudds iOS?
Please choose one of the following:
Answer #1: Same as the Nintendo eShop price - $8.99.
“I would be happy to pay the same price as the Nintendo eShop version to have Mutant Mudds on my iPhone. It was worth $8.99 on the 3DS, and it is worth $8.99 on my phone. I think there should be a free demo though, which contains a couple of levels, so people can check it out.”
Answer #2: The typical App Store pricing of $1.99 or $0.99.
“I would never pay more than the normal pricing of Apps for Mutant Mudds – no matter what. I like the game and all, but playing it on the iPhone is not the same as a 3DS due to no 3D and no physical buttons. I still think there should be a free demo though, which contains a couple of levels, so people can check it out.”
Answer #3: Freemium with In-App purchases for convenience.
“I’ve never heard of this game, and there’s no way I’m paying anything for it before I can check it out. A demo of a few levels isn’t enough. I want to get it for free. If I like it I might be interested in paying small amounts – like $0.99 or $1.99 – for In-App purchases that unlock later levels sooner and/or power-ups sooner, but these should be optional because I also want to be able to play the whole game for free if I am good/patient enough.”
Answer #4: Other (please specify in the comments below).
Friday, October 12, 2012
FREE Mutant Mudds Update Coming to Nintendo eShop Very Soon!
FREE Mutant Mudds Update Coming to Nintendo eShop Very Soon!
Austin, Texas – October 12, 2012 – Today, Renegade Kid announced that their critically-acclaimed platformer, Mutant Mudds, will receive a FREE – and substantial – update on October 18, 2012 in Europe, and October 25th, 2012 in North America. Did we mention it will be free? Yes, we did. Well, cool.
Renegade Kid’s crackpot team of designers and H2O scientists have revisited each of the 20 regular levels that Muddy fans all know and love, and carefully snuck a special ‘CGA-Land’ door somewhere inside each one. If you are one of the brave adventurers who want to experience what these 20 new levels have to offer you must utilize a combination of at least two of the mighty power-ups in order to gain access to the doors. This is a job for Grannie; for she is the only one sassy enough to wield the combined tri-power of the power-ups.
Nestled lovingly inside each of the 20 new (and free) ‘Grannie’ levels is an assortment of fiendish fun that require the use of all three power-ups. Sure, some are hard-as-nails, whereas some are pure fun; allowing you to enjoy the new-found wonder of tri-power harnessing. White, cyan, magenta, and black may not be for everyone, but this is where Grannie truly shines. CGA-Land is her calling, and she rocks it!
“I believe the new content we’ve added to Mutant Mudds really completes the experience,” said Jools Watsham, Owner and Director at Renegade Kid. “I was very proud of what we accomplished with the original release of the game, but the 20 new levels add a delicious layer of icing that gives players the opportunity to take Grannie for a proper jaunt.”
About Renegade Kid
Founded in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid LLC is an independent development studio based in Austin, Texas. A developer of handheld video-games, Renegade Kid is known for its award-winning titles on the Nintendo DS™, including Dementium: The Ward, Moon, Dementium II, and ATV Wild Ride.
For more information on Mutant Mudds, visit www.mutantmudds.com.
# # #
Nintendo 3DS and Nintendo DS are trademarks of Nintendo. © 2012 Nintendo.
To access the Nintendo eShop, you will need a wireless broadband Internet connection. If you do not have the Nintendo eShop icon on the Nintendo 3DS main menu, you will need to perform a system update. See support.nintendo.com for more information.
Mutant Mudds, Dementium: The Ward, Dementium II, and ATV Wild Ride are trademarks of Renegade Kid LLC. © 2012 Renegade Kid LLC. All Rights Reserved.
Scan this QR Code with your 3DS to view 3D screens!
Thursday, September 13, 2012
Monday, September 3, 2012
Why Should You Vote for Mutant Mudds on Steam?
You might be asking yourself, "Why should I vote for Mudds on Steam?" when you may already have Mutant Mudds on your 3DS, or you’re waiting for the 20 new Grannie levels to land on the eShop (which is totally going to happen btw, as a free update). You may also be thinking to yourself, “Erp, I don’t want to play Mutant Mudds on Steam or even the PC for that matter!”
Right, well – these are all excellent reasons not to care
about Mutant Mudds being on Steam. However, if you care about the games that
Renegade Kid produces, please read on.
Steam is the largest distribution channel for PC games,
period. They outsell all of their competitors to the magnitude of something
like 1000 to 1. They’re very impressive. Some games that were previously
released on XBLA typically outsell the XBLA lifetime sales in just a few days
on Steam.
We have ported Mutant Mudds to the PC. The result is a
pretty great version of the game imo that sports 20 new levels, on-line leader
boards, nifty depth-of-field effects, and an all-around solid package. I am
proud of the game. The reason we devoted our time to this port was to bring the
experience that many Nintendo fans have enjoyed to a new audience on the PC.
And, yeah, to make some money!
In fact, money was one of the main reasons we developed
the port. You see, the eShop version sold pretty well, which helped pay back
our investment into the development of the game – which is totally awesome, and
I feel lucky and I am thankful it achieved this. But now, we need to figure out
how to fund future development.
Please don’t offer kickstarter as the solution, in your
comment below. You and I can chat about that some other time, cool?
Porting Mutant Mudds to the PC, and selling it on Steam,
has the potential of bringing some much needed funds into Renegade Kid, which
will go straight into the development of new games. As we’re being perfectly –
and frankly – honest here; I would like to put the majority of our future
development efforts into the 3DS eShop and Wii U eShop titles (we’re authorized
Wii U developers now btw – excite!).
So, in a nutshell:
Voting for Mutant Mudds on Steam =
more future eShop titles from Renegade Kid.
I get the impression that we’re in need of about 100,000 total
‘thumbs up’ votes to reach the goal on Greenlight – so we only have about
98,000 positive votes to go… J
You can cast your vote here.
Thank you for reading. I appreciate your support. You
rock.
Monday, August 27, 2012
Mutant Mudds. On your PC. This Thursday!
Mutant Mudds. On your PC. This Thursday!
Austin, Texas – August 27, 2012 – Today, Renegade Kid announced that Mutant Mudds™, the critically acclaimed ‘12-bit’ platformer, will be available to download for PC (Windows) on Thursday, August 30, 2012 for the special introductory price of $7.99* via numerous digital distribution outlets, including Renegade Kid’s own TheRenegadeShop.com, GOG.com, Gamersgate, and Desura.
FEATURES:
- 60 hard-as-steel levels that span across 5 pixelated worlds and 8 unique neo-retro graphical themes.
- 20 brand-spanking new and lip-smacking delicious ‘Grannie’ levels, specifically designed for veteran players who have mastered the original game.
- Jet between three 2D playfields and experience incredible state-of-the-art depth-of-field blur effects – a treat for the eyeballs.
- Unlock Grannie as a special playable character and harness the tri-power of all power-ups in a simultaneous powerful fashion.
- On-line leader boards show the best level completion times from the best players around the world.
- Additional foot-stomping and booty-groovin’ chip-tune music tracks to snap your fingers and bob your head to.
- Discover a veritable plethora of secret doorways that transport you into classic gaming worlds of the past.
- DRM Free.
PAX Prime: Get your hands on the game at PAX Prime this weekend in Seattle. Mutant Mudds™ will be neatly nestled into the Indie Megabooth area. Play the game. Meet the developers. Have fun!
Steam Powered: Still holding out for a Steam release? You’re in luck! Mutant Mudds™ will be featured in the launch of STEAM GREENLIGHT – going live on August 30. Mutant Mudds™ awaits your vote! Only you can make it happen!!
* Special Introductory Price of $7.99 is only valid from August 30 through to September 5, 2012. Regular price of $9.99 will resume after this period.
About Renegade Kid:
Founded in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid is an independent development studio based in Austin, Texas that is best known for its award-winning Dementium™ series and the critically-acclaimed Mutant Mudds™.
For more information on Mutant Mudds™, visit www.mutantmudds.com.
# # #
Mutant Mudds, Dementium: The Ward, and Dementium II are trademarks of Renegade Kid LLC. © 2012 Renegade Kid LLC. All Rights Reserved.
Thursday, August 23, 2012
20 New Mutant Mudds Levels Coming to eShop!?
The question I get asked the most right now is: “Will the
20 new levels that have been added to the PC version of Mutant Mudds become
available on the Nintendo eShop?” So, I thought it best to write a blog post
about it so I can point everyone to it when they ask me. J
The short answer is, “I hope so.”
The 20 new levels have been added to the PC version for a
number of reasons. The main reason being; it makes the ‘port’ of Mutant Mudds
to PC a little more special. Every game release needs something special about
it to attract player’s attention, and I think the addition of 20 new levels is
pretty awesome!
PC players who do not have a 3DS and may or may not be interested in Mutant Mudds might feel more of an urge to purchase the game when they learn that it has extra content. If the game were just a direct port of the 3DS version it might be a little less exciting and not register on some player’s radar.
Now, I realize that those of you who already own the 3DS version of Mutant Mudds might feel left out in the cold wanting the new 20 levels. I hear you. I too would feel that way. As you may or may not know, we are a small developer and can only accomplish a certain number of tasks before there are just not enough hours left in the day. We constantly bite off way more than we can logically chew – with multiple projects going on all the time – but, due to our experience, dedication, and passion for our craft we manage it all very professionally. Thus, we are focusing on the PC launch right now (as well as a slew of other ‘top priority’ projects).
We are games players, and I hope that shows through our games. I jump onto the eShop at least once a week – usually on Thursdays – to see what’s new. I love games. I love reading about new games. I love playing games. There’s no way I would think even for a nanosecond that the new 20 levels shouldn’t make their way to the 3DS.
But, the reality is that it takes time to add the levels to the 3DS version and it requires approval from Nintendo. I don’t expect Nintendo to have a problem with us adding the levels to the existing game (they allowed Wayforward with Mighty Switch Force), but I cannot say for certain that they will simply say yes, because I am not Nintendo. And besides, once we have added the new content to the 3DS version, we will have to resubmit the game to the ESRB and through Nintendo’s approval process, which just takes time.
I hope this helps answer the questions that I am able to address at this time. In the meantime, please buy the PC version of Mutant Mudds because it is pretty darn awesome – especially if you have a joypad attached to your computer ;)
http://www.mutantmudds.com
Thursday, July 12, 2012
Mutant Mudds Invading Your PC Soon!
Mutant Mudds Invading Your PC Soon!
Austin,
Texas – July 12, 2012 – Today, Renegade Kid announced that Mutant Mudds, the critically acclaimed
12-bit platformer, will soon be available through numerous digital distribution
partners on PC (Windows).
In addition to the 40 challenging levels featured
in the original Mutant Mudds, players who purchase this special ‘Grannie Edition’
on PC will be treated to 20 brand new levels!
Our hero, Max, may be just a 2D sprite, but he can
leap into the third dimension by jetting between the background and the
foreground playfields with his trusty jetpack in this unique
dimensionally-woven experience.
Armed with a heavy-duty water cannon, Max has what
he needs to vanquish his long-term nemesis: the Mutant Mudds. Max must blast
and hover his way across the soiled landscape to seek out mysterious Water
Sprites. Legend says collecting all of the mysterious Water Sprites will wash
the filthy Mutant Mudds away for good!
“The PC release of Mutant Mudds is something very
special to us,” said Jools Watsham, Owner and Director at Renegade Kid. “We
have designed 20 new levels for those who have mastered the original Mutant
Mudds. We hope players enjoy the new tier of gameplay these levels bring to the
game.”
More Details Coming Soon!
About
Renegade Kid
Founded
in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid™ is an independent
development studio based in Austin, Texas. A developer of handheld video-games,
Renegade Kid™ is known for its award-winning titles on the
Nintendo DS™, including the Dementium™ series, Moon,
and ATV Wild Ride™.
For
more information on Mutant Mudds, visit www.mutantmudds.com.
# # #
Mutant Mudds, Dementium: The Ward, Dementium II, and ATV
Wild Ride are trademarks of Renegade Kid LLC. © 2012 Renegade Kid LLC. All Rights Reserved.
Thursday, June 21, 2012
Bomb Monkey Blasts onto Nintendo eShop
Bomb Monkey Blasts onto Nintendo eShop
Austin, Texas – June 21, 2012 – Today, Renegade Kid announced that Bomb Monkey, the explosive puzzle game, will be available on June 28, 2012 for $4.99 USD through the Nintendo eShop on Nintendo 3DS™.
Blok Bombing is a fine and ancient sport invented by a small and creative troop of primates, called Bomb Monkeys. The goal is simple: do not allow the bloks rising from the jungle floor to reach dangerous heights and knock you from your perch.
With an endless supply of bloks and a steady stream of bombs, you can partake in this legendary sport anytime you have a spare moment. Young Bomb Monkeys will learn patience and strategy. Older Bomb Monkeys will sharpen their wits. And, every Bomb Monkey will have a blast!
“We’re thrilled to be releasing our second title on the Nintendo eShop,” said Jools Watsham, Owner and Director at Renegade Kid. “A special feature of Bomb Monkey that I am particularly excited about is the two player mode, which can be enjoyed with just one Nintendo 3DS!”
About Renegade Kid
Founded in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid LLC is an independent development studio based in Austin, Texas. A developer of handheld video-games, Renegade Kid is known for its critically-acclaimed titles including the Dementium series and Mutant Mudds.
For more information on Bomb Monkey, visit www.bombmonkey.com.
# # #
Nintendo 3DS is a trademark of Nintendo. 2011 Nintendo.
To access the Nintendo eShop, you will need a wireless broadband Internet connection. If you do not have the Nintendo eShop icon on the Nintendo 3DS main menu, you will need to perform a system update. See support.nintendo.com for more information.
Renegade Kid, Bomb Monkey, Dementium, and Mutant Mudds are trademarks of Renegade Kid LLC. © 2012 Renegade Kid LLC. All Rights Reserved.
Sunday, June 17, 2012
Success?
Sometimes I like to waffle about thoughts in my head. This is one of those times. I hope you enjoy or get something from this...
The first thing I want to make clear is that I do not think that anyone can guarantee success – certainly not me. However, I think there are some things you can do to help you stack the deck in your favor. Just making a good game is not good enough.
1. Quality.
Whether it means you have to work your tail off and/or hire exceptional talent, you must go into the development of a game with the intent and resources to produce a game of high quality. This should be in all areas of game development: design, art, programming, audio, and planning. If you skimp on any area, it is going to show and bring down everything else. Set yourself up for success. If you are unsure of the level of quality that you should aim for; look at similar games and analyze the overall production quality as well as the small details. The magic is in the details.
With Mutant Mudds, I felt confident in my ability to handle the design, art, and planning. If I did not, I would have hired someone else to handle it. Matthew Gambrell is a very experienced programmer, and has a natural interest in all things 2D and platformy, which made him a wonderful member of the Muddy Team. I considered writing the music for the game, but I do not have any experience with chip music. I have mainly worked with samples/synth devices to create music, such as the Dementium title tune. Therefore, Troupe Gammage was a perfect candidate to handle this aspect of the game based on his prior experience with chip music as well as being an accomplished musician in his own right.
2. Uniqueness.
Super Meat Boy, for example, offers hard-as-nails gameplay and a somewhat controversial theme. This isn’t to say that the game relies purely on these qualities – Team Meat hit every aspect called out in this blog piece – but at its’ heart, it’s easy to explain what’s cool and different about Super Meat Boy. For fun, determine what’s unique about Braid…
Mutant Mudds is a challenging retro-themed platformer that allows your character to literally jump into the background and foreground, thanks to the awesome 3D capabilities of the 3DS. I’m sure there’s a more elegant way of explaining the game, but you get the idea.
3. Familiarity vs. Innovation.
If you’re developing a game that offers more new elements than familiar ones, like Pikmin, Pushmo, or Pong, it may take a lot more effort to connect with your audience. It could certainly take more words or imagery due to the fact that it is something never seen or experienced before. This is not necessarily a bad thing, just something to be aware of.
Looking at Mutant Mudds, as an example, it obviously offers a heavy dose of the familiarity, but with a 3D twist. This small tweak on the visual presentation and gameplay experience can spark the imagination of the audience and take it from a standard game to a special game. A simple concept can go a long way.
4. Value.
5. Awareness.
Make sure you send individual and personal emails to each journalist. Nothing says lazy more than a standardized mass email that has obviously been written in such a way that it can be sent to anyone. Take the time to write a quick and personal email to each person. It makes a big difference. The members of the press whom I have met are all great people. They are gamers who want to play great games. You are on the same side. If you have a great game, you should want to contact them and gush about it. When you do, they’ll feel your passion and look forward to getting their hands on your game.
Independent games, with no PR/marketing budget, can benefit from a long campaign to create awareness from word-of-mouth. I first announced Mutant Mudds at E3 2011. Over the course of six to seven months I attempted to keep the momentum going with interviews, carefully chosen screenshots, previews, video trailers, music tracks, and competitions – anything to keep the name out there and keep it fresh. Print magazines have a long lead time, meaning they need assets a month or two before the actual article will hit the street. Nintendo Power is a great magazine, and I felt it was very important to make sure they had a timely preview and review in their mag. We were lucky enough to have a two-page announcement in June, a full-page preview in December, and a full-page review in January. I think working directly, and respectfully, with the fine folks at Nintendo Power really made a difference. When it finally came to the release of the game I also sent out dozens of download codes to reviewers one week before the games’ release to ensure reviews would be on-line on or before the day of release. The PR aspect of the project kept me very busy, but it was well worth the exposure the game received. Awareness of your game cannot be underestimated.
6. Audience.
With that in mind, I feel that it is important to aim for a large audience. Know where that audience exists. Have a good idea of what that audience may like/dislike. Deciding today that you want to develop a mature first-person shooter for the Wii may not be the best idea. The current state of the market, and where you think it’s going, is very important.
We knew the eShop audience was going to be relatively small at the time we intended to release Mutant Mudds. Being a new market, there’s the added risk of no audience there at all. But, considering Nintendo’s history, it felt like a calculated risk worth taking.
I think it is fair to assume some things about the early-adopter audience who is eager and/or savvy enough to be on the eShop within the first year of the market. A large majority of them will be gaming enthusiasts who want good games and not just games with a Spiderman license attached to them. Chances are, they like Nintendo style games. They might even like retro themed games. These are all just hunches. In some cases, you can obtain historical data with some of this information, which can help you determine whether an audience exists.
In summary, you need to look at many different facets if you want to set yourself up for the potential of success. You can’t rely on just one of the things I listed above. You really need to focus on all of them equally if your goal is to get a great game in the hands of the largest audience possible.
Please share your thoughts on this subject. Good luck with your future endeavors.
The first thing I want to make clear is that I do not think that anyone can guarantee success – certainly not me. However, I think there are some things you can do to help you stack the deck in your favor. Just making a good game is not good enough.
1. Quality.
Whether it means you have to work your tail off and/or hire exceptional talent, you must go into the development of a game with the intent and resources to produce a game of high quality. This should be in all areas of game development: design, art, programming, audio, and planning. If you skimp on any area, it is going to show and bring down everything else. Set yourself up for success. If you are unsure of the level of quality that you should aim for; look at similar games and analyze the overall production quality as well as the small details. The magic is in the details.
With Mutant Mudds, I felt confident in my ability to handle the design, art, and planning. If I did not, I would have hired someone else to handle it. Matthew Gambrell is a very experienced programmer, and has a natural interest in all things 2D and platformy, which made him a wonderful member of the Muddy Team. I considered writing the music for the game, but I do not have any experience with chip music. I have mainly worked with samples/synth devices to create music, such as the Dementium title tune. Therefore, Troupe Gammage was a perfect candidate to handle this aspect of the game based on his prior experience with chip music as well as being an accomplished musician in his own right.
2. Uniqueness.
Some people call this the games’ “hook”. My personal
issue with using this term is that it puts undue pressure on the hook being extraordinarily
important in comparison to everything else involved in the development of a game.
A great game is the sum of its parts – not just the “hook”. Nevertheless, you
need something a little different about your game; something that you can explain
quickly and easily when someone asks about your game. If you find yourself
going into too much detail each time someone asks you about your game, you may
have a problem. The unique aspect of your game doesn’t have to be groundbreaking
or innovative. It just needs to be different than the other guys’.
Super Meat Boy, for example, offers hard-as-nails gameplay and a somewhat controversial theme. This isn’t to say that the game relies purely on these qualities – Team Meat hit every aspect called out in this blog piece – but at its’ heart, it’s easy to explain what’s cool and different about Super Meat Boy. For fun, determine what’s unique about Braid…
Mutant Mudds is a challenging retro-themed platformer that allows your character to literally jump into the background and foreground, thanks to the awesome 3D capabilities of the 3DS. I’m sure there’s a more elegant way of explaining the game, but you get the idea.
3. Familiarity vs. Innovation.
Don’t get caught up feeling as though your game must be
'completely' different from everyone elses’. Sure, innovation is great.
Innovation is important. But, I firmly believe that a healthy dose of familiarity
can be equally important in regards to connecting with your audience. Let’s
take Dementium, for example. When we announced Dementium: The Ward it was
immediately obvious that the game was a survival horror experience viewed from
the first-person perspective. If you like these types of games, and want to
play one on the DS, the only question remaining is, “Is the game any good?” A
quick look at your favorite website(s)' review will give you a good idea of the games’
quality.
If you’re developing a game that offers more new elements than familiar ones, like Pikmin, Pushmo, or Pong, it may take a lot more effort to connect with your audience. It could certainly take more words or imagery due to the fact that it is something never seen or experienced before. This is not necessarily a bad thing, just something to be aware of.
Looking at Mutant Mudds, as an example, it obviously offers a heavy dose of the familiarity, but with a 3D twist. This small tweak on the visual presentation and gameplay experience can spark the imagination of the audience and take it from a standard game to a special game. A simple concept can go a long way.
4. Value.
In my mind, value is relative to price. If you’re asking
for $40, you need to provide value equal to that of other video game experiences
offered for the same price. Not going overboard on content is just as important
as providing enough in terms of budget and return on investment. This is a
business after all.
Because Mutant Mudds was always intended as an eShop title, I looked at Cave Story, Shantae, and Dark Void Zero for reference in terms of content versus cost. In the end, I felt that Mutant Mudds sat well offering 40 intricately designed, challenging levels for $8.99. In fact, I think it’s a bargain! ;)
Because Mutant Mudds was always intended as an eShop title, I looked at Cave Story, Shantae, and Dark Void Zero for reference in terms of content versus cost. In the end, I felt that Mutant Mudds sat well offering 40 intricately designed, challenging levels for $8.99. In fact, I think it’s a bargain! ;)
5. Awareness.
The more people who know about your game, the more people
can buy it. Assuming your game is in –line with the aforementioned criteria, the
next thing to do is get the word out. I have found that contacting the press
directly via email, whether they are a website or print magazine, resonates
very well with journalists. The majority of games these days are handled by internal
PR personnel or PR firms, who contact the press and coordinate previews,
interviews, reviews, etc. This has many pros, of course, not least of which is
the fact that good PR people do an incredible job of presenting games to the
press. It is their full-time job, after all. However, if you’re like me, and
don’t have a PR rep or firm to call on, contacting them directly can have a
positive result.
Make sure you send individual and personal emails to each journalist. Nothing says lazy more than a standardized mass email that has obviously been written in such a way that it can be sent to anyone. Take the time to write a quick and personal email to each person. It makes a big difference. The members of the press whom I have met are all great people. They are gamers who want to play great games. You are on the same side. If you have a great game, you should want to contact them and gush about it. When you do, they’ll feel your passion and look forward to getting their hands on your game.
Independent games, with no PR/marketing budget, can benefit from a long campaign to create awareness from word-of-mouth. I first announced Mutant Mudds at E3 2011. Over the course of six to seven months I attempted to keep the momentum going with interviews, carefully chosen screenshots, previews, video trailers, music tracks, and competitions – anything to keep the name out there and keep it fresh. Print magazines have a long lead time, meaning they need assets a month or two before the actual article will hit the street. Nintendo Power is a great magazine, and I felt it was very important to make sure they had a timely preview and review in their mag. We were lucky enough to have a two-page announcement in June, a full-page preview in December, and a full-page review in January. I think working directly, and respectfully, with the fine folks at Nintendo Power really made a difference. When it finally came to the release of the game I also sent out dozens of download codes to reviewers one week before the games’ release to ensure reviews would be on-line on or before the day of release. The PR aspect of the project kept me very busy, but it was well worth the exposure the game received. Awareness of your game cannot be underestimated.
6. Audience.
Success can be measured in many different ways. One of
the ways of measuring success, which is important to me, is the number of
people able and willing to play my game. This does not discount the feeling of
success, or accomplishment, from completing the development of a game that you’re
proud of. But, for me, I need confirmation from other people to convince me
that I am not just high on my own jazz-juice.
With that in mind, I feel that it is important to aim for a large audience. Know where that audience exists. Have a good idea of what that audience may like/dislike. Deciding today that you want to develop a mature first-person shooter for the Wii may not be the best idea. The current state of the market, and where you think it’s going, is very important.
We knew the eShop audience was going to be relatively small at the time we intended to release Mutant Mudds. Being a new market, there’s the added risk of no audience there at all. But, considering Nintendo’s history, it felt like a calculated risk worth taking.
I think it is fair to assume some things about the early-adopter audience who is eager and/or savvy enough to be on the eShop within the first year of the market. A large majority of them will be gaming enthusiasts who want good games and not just games with a Spiderman license attached to them. Chances are, they like Nintendo style games. They might even like retro themed games. These are all just hunches. In some cases, you can obtain historical data with some of this information, which can help you determine whether an audience exists.
In summary, you need to look at many different facets if you want to set yourself up for the potential of success. You can’t rely on just one of the things I listed above. You really need to focus on all of them equally if your goal is to get a great game in the hands of the largest audience possible.
Please share your thoughts on this subject. Good luck with your future endeavors.
Tuesday, June 12, 2012
Mutant Mudds Invades EU Nintendo eShop
Mutant Mudds Invades Nintendo eShop
Austin, Texas – June 12, 2012 – Today, Renegade Kid announced that Mutant Mudds, the eagerly anticipated neo-retro platformer, will (finally) be available in Europe on June 21, 2012 for 9 Euro through the Nintendo eShop on Nintendo 3DS™.
Our hero, Max, may be just a 2D sprite, but he can leap into the third dimension by jetting between the background and the foreground playfields with his trusty jetpack in this unique dimensionally-woven experience.
Armed with a heavy-duty water cannon, Max has what he needs to vanquish his long-term nemesis: the Mutant Mudds. Max must blast and hover his way across the soiled landscape to seek out mysterious Water Sprites. Legend says collecting all of the mysterious Water Sprites will wash the filthy Mutant Mudds away for good!
“The Nintendo eShop is an exciting opportunity that has enabled us to release our first self-published title, Mutant Mudds,” said Jools Watsham, Owner and Director at Renegade Kid. “The development of Mutant Mudds has been a labor of love for us. We couldn’t be more excited for everyone to finally experience our “12-bit” baby for themselves!”
About Renegade Kid
Founded in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid LLC is an independent development studio based in Austin, Texas. A developer of handheld video-games, Renegade Kid is known for its award-winning titles on the Nintendo DS™, including Dementium: The Ward, Moon, Dementium II, and ATV Wild Ride.
For more information on Mutant Mudds, visit www.mutantmudds.com.
# # #
Nintendo 3DS and Nintendo DS are trademarks of Nintendo. © 2011 Nintendo.
Mutant Mudds, Dementium: The Ward, Dementium II, and ATV Wild Ride are trademarks of Renegade Kid LLC. © 2012 Renegade Kid LLC. All Rights Reserved.
Sunday, June 10, 2012
E3 2012 Recap Write-up and Video
E3 was a blast, as usual. I got to see lots of old
friends and meet new friends. I wasn’t able to play many games at the show, due
to the many meetings I had, but still got to see some great stuff.
My trip started at Austin airport, where I ran into Nigel from Devolver Digital. Nigel’s a great guy who I first met while working with Gamecock on Dementium. When we landed in LA we shared a cab to the convention center where we parted ways; Nigel needed to meet with the rest of the Devolver team (Mike and Harry), while I needed to pick-up my E3 badge holder.
While I was walking to the convention center I received a text from Corbie, who arrived in LA the day before. We met up at the show, where I picked up my badge holder. We were both staying in hotels on Flower Street that were very close to each other, so we proceeded in that direction. At that point, the show had not officially started.
After checking into my hotel I changed into my Bomb Monkey t-shirt and packed my backpack with the needed supplies for the day: my 3DS, Bomb Monkey and Mutant Mudds swag, and video camera (to create the video below). I was staying in the Ritz Milner, which is a good hotel for the price. I stayed at the O Hotel last year, which is a lot fancier and more expensive. Plus, the O Hotel has the best tater tots!
Day one of the show consisted of making a beeline to the Nintendo booth and two meetings with potential publishing partners. I also ran into the always awesome RMC and Cort from Go Nintendo. Naturally, we met at the Nintendo booth. I captured some footage of these gents, which you can see in the video below. They played Bomb Monkey and gave the impression they had fun with it. They’re either excellent actors or might have actually enjoyed themselves. They posted their impressions here.
That evening started with a pit stop at the O Hotel to grab some tater tots to go! While waiting for the mighty tots, I met up with my partners in crime, Mat Kraemer and Corbie Dillard, at the bar. Fortunately, neither Mat nor Corbie liked the tater tots as much as I did, so I got to polish them off myself while we strolled through LA to our destination for the evening: Onyx Lounge. This is where Sanzaru were having a small get together to celebrate the near-completion of their awesome new game, Sly Cooper Thieves in Time (PS3 and Vita). You can see some clips of our jaunt through the streets of LA in the video below.
The next day started with breakfast at IHOP. Eggs, bacon, etc. My first meeting that morning was with Daan Koopman. He’s a great guy. Even though he forgot to bring Face Racers, we had fun playing Bomb Monkey and ATV Wild Ride 3D. When I track down his coverage of the game, I’ll add it here.
Immediately after my meeting with Daan, I met up with the Nnooo guys, Nic Watt and Bruce Thomson. We chatted about the eShop and all things awesome and independent. I’m really glad I got to meet these chaps, and play some of their goodness on the 3DS/DS. Good guys.
Soon after that I ran into Justin from Ripten, where we decided to go outside the convention center and get some fresh air away from the noise. More Bomb Monkey and ATV Wild Ride 3D fun was had. This is the second year that I have met up with Justin, and it is always a pleasure. He made the cut, and can be seen in the video below playing Bomb Monkey.
Lunch time was upon us! I had arranged a meet-up with Neal Ronaghan from Nintendo World Report. He, and his entourage, met me outside the convention center and we walked to a nearby taco dive and enjoyed burritos while watching cars travel through the car wash. Bomb Monkey was played, fun was had, and much conversing over games was enjoyed. It was a pleasure to meet with Neal, Jonathan, Aaron, and Guillaume. NWR’s impressions (from PAX East) are here.
The rest of the day consisted of two more meetings: one with a potential publishing partner and one with Dan Adelman from Nintendo. Dan handles the eShop side of things amongst other delights at Nintendo of America. I first met with Dan last E3 where I showed him the three level demo of Mutant Mudds. This year I showed him Bomb Monkey and ATV Wild Ride 3D. We chatted about lots of new goodies coming to the eShop in the future and a multitude of top-secret things that I must keep to myself before they are announced by the big N. Meeting with folks at Nintendo is always a pleasure, and this was no different. Dan’s meeting room was bloody cold though! Perhaps this was to counter Dan’s love of all things spicy? More on that later…
After our meeting we exited the meeting room to discover the show had ended for the day and most people had been cleared off the show floor. While making our way out of the Nintendo booth, Dan introduced me to Tommy Refenes, who programmed/designed Super Meat Boy with Edmund McMillen. Naturally, I shared some of my Bomb Monkey and Mutant Mudds swag with Tommy and Shannon Gregory, who is also from Nintendo (and Tommy’s girlfriend). They were both great and delightful to meet.
The evening plans included a gathering at the Figueroa Hotel, but quickly turned into a long taxi ride to Torrance for some Japanese Curry. $60 dollars later, we finally arrived in Torrance and at CoCo Ichibanya on Sepulveda Boulevard. The food was great. I got a blend of #15 with #17. It was delightful. Their spicy scale goes from 1 to 10. Being my first time, I went with 2, which was mildly spicy. I think I will go with 3 or 4 next time. Dan “Iron Mouth” Adelman went for spice-factor 10 and scoffed it down like a pro. Other splendid peeps at the dinner were Tyrone Rodriguez from Nicalis, Chris Hoffman from Nintendo Power, Robbie and Ted from n-Space, Brian from Disney Interactive, the Corbster, and Neal and co. from NWR.
Day three started, again, with breakfast and some more bacon and eggs. The Corbster and I met up at the Original Pantry Café on Figueroa and 9th. I also ran into my good friend, Kynan Pearson, while we were exiting with the Café – he was entering – just a quick hello. He is now working on Halo 4 at 343 Industries.
I wandered around the show a bit that morning and met a bunch of cool people, including the awesome Victor Lucas from Electric Playground. We always seem to run into each other. He's great. I also met his co-host, Scott Jones. He's great too - and very tall! On my approach to the Nintendo booth, again, I said hello to Jessie Cantrell from the Nintendo Show 3D. She was lovely. I also met Adam Sessler. He was cool, but not quite as lovely as Jessie – but did have a nice hat! I checked out Castlevania on 3DS (very nice) and Retro City Rampage on Vita (very nice), where I ran into my good friend David Levy. It was great to catch up with him. Awesome and talented guy (worked on concept art for Tron and Prometheus, to name a few – amazing!) I also got my hands on some Zen Studios slippers courtesy of Bobby Loertscher – thanks Bobby!
The rest of the day was taken up with an off-site meeting, which finally ended and got me back downtown that evening in time for a meet-up at the Figueroa Hotel again. I met up with Tyrone, Corbie, and a host of other good peeps, including Craig Harris of IGN fame. Craig and I first met many moons ago in the Nintendo 64 days. Where did we run into each other this year? Yeah, in front of the bathroom. Lovely locale. It was great to catch up and chat about his new game, Aliens: Colonial Marines. The night ended with the Corbster and me hanging out at the JW Marriott bar snacking on sliders and drinking beer. I ran into Nick Chester of Destructoid / Harmoix fame, and also saw Tommy and Shannon again!
E3 2012 was a great show. I wish I had more time to play more games, but I appreciate the fact that I got to see so many good people. E3 2013 can’t come quick enough. I wonder if it will even be in LA next year!
My trip started at Austin airport, where I ran into Nigel from Devolver Digital. Nigel’s a great guy who I first met while working with Gamecock on Dementium. When we landed in LA we shared a cab to the convention center where we parted ways; Nigel needed to meet with the rest of the Devolver team (Mike and Harry), while I needed to pick-up my E3 badge holder.
While I was walking to the convention center I received a text from Corbie, who arrived in LA the day before. We met up at the show, where I picked up my badge holder. We were both staying in hotels on Flower Street that were very close to each other, so we proceeded in that direction. At that point, the show had not officially started.
After checking into my hotel I changed into my Bomb Monkey t-shirt and packed my backpack with the needed supplies for the day: my 3DS, Bomb Monkey and Mutant Mudds swag, and video camera (to create the video below). I was staying in the Ritz Milner, which is a good hotel for the price. I stayed at the O Hotel last year, which is a lot fancier and more expensive. Plus, the O Hotel has the best tater tots!
Day one of the show consisted of making a beeline to the Nintendo booth and two meetings with potential publishing partners. I also ran into the always awesome RMC and Cort from Go Nintendo. Naturally, we met at the Nintendo booth. I captured some footage of these gents, which you can see in the video below. They played Bomb Monkey and gave the impression they had fun with it. They’re either excellent actors or might have actually enjoyed themselves. They posted their impressions here.
That evening started with a pit stop at the O Hotel to grab some tater tots to go! While waiting for the mighty tots, I met up with my partners in crime, Mat Kraemer and Corbie Dillard, at the bar. Fortunately, neither Mat nor Corbie liked the tater tots as much as I did, so I got to polish them off myself while we strolled through LA to our destination for the evening: Onyx Lounge. This is where Sanzaru were having a small get together to celebrate the near-completion of their awesome new game, Sly Cooper Thieves in Time (PS3 and Vita). You can see some clips of our jaunt through the streets of LA in the video below.
The next day started with breakfast at IHOP. Eggs, bacon, etc. My first meeting that morning was with Daan Koopman. He’s a great guy. Even though he forgot to bring Face Racers, we had fun playing Bomb Monkey and ATV Wild Ride 3D. When I track down his coverage of the game, I’ll add it here.
Immediately after my meeting with Daan, I met up with the Nnooo guys, Nic Watt and Bruce Thomson. We chatted about the eShop and all things awesome and independent. I’m really glad I got to meet these chaps, and play some of their goodness on the 3DS/DS. Good guys.
Soon after that I ran into Justin from Ripten, where we decided to go outside the convention center and get some fresh air away from the noise. More Bomb Monkey and ATV Wild Ride 3D fun was had. This is the second year that I have met up with Justin, and it is always a pleasure. He made the cut, and can be seen in the video below playing Bomb Monkey.
Lunch time was upon us! I had arranged a meet-up with Neal Ronaghan from Nintendo World Report. He, and his entourage, met me outside the convention center and we walked to a nearby taco dive and enjoyed burritos while watching cars travel through the car wash. Bomb Monkey was played, fun was had, and much conversing over games was enjoyed. It was a pleasure to meet with Neal, Jonathan, Aaron, and Guillaume. NWR’s impressions (from PAX East) are here.
The rest of the day consisted of two more meetings: one with a potential publishing partner and one with Dan Adelman from Nintendo. Dan handles the eShop side of things amongst other delights at Nintendo of America. I first met with Dan last E3 where I showed him the three level demo of Mutant Mudds. This year I showed him Bomb Monkey and ATV Wild Ride 3D. We chatted about lots of new goodies coming to the eShop in the future and a multitude of top-secret things that I must keep to myself before they are announced by the big N. Meeting with folks at Nintendo is always a pleasure, and this was no different. Dan’s meeting room was bloody cold though! Perhaps this was to counter Dan’s love of all things spicy? More on that later…
After our meeting we exited the meeting room to discover the show had ended for the day and most people had been cleared off the show floor. While making our way out of the Nintendo booth, Dan introduced me to Tommy Refenes, who programmed/designed Super Meat Boy with Edmund McMillen. Naturally, I shared some of my Bomb Monkey and Mutant Mudds swag with Tommy and Shannon Gregory, who is also from Nintendo (and Tommy’s girlfriend). They were both great and delightful to meet.
The evening plans included a gathering at the Figueroa Hotel, but quickly turned into a long taxi ride to Torrance for some Japanese Curry. $60 dollars later, we finally arrived in Torrance and at CoCo Ichibanya on Sepulveda Boulevard. The food was great. I got a blend of #15 with #17. It was delightful. Their spicy scale goes from 1 to 10. Being my first time, I went with 2, which was mildly spicy. I think I will go with 3 or 4 next time. Dan “Iron Mouth” Adelman went for spice-factor 10 and scoffed it down like a pro. Other splendid peeps at the dinner were Tyrone Rodriguez from Nicalis, Chris Hoffman from Nintendo Power, Robbie and Ted from n-Space, Brian from Disney Interactive, the Corbster, and Neal and co. from NWR.
Day three started, again, with breakfast and some more bacon and eggs. The Corbster and I met up at the Original Pantry Café on Figueroa and 9th. I also ran into my good friend, Kynan Pearson, while we were exiting with the Café – he was entering – just a quick hello. He is now working on Halo 4 at 343 Industries.
I wandered around the show a bit that morning and met a bunch of cool people, including the awesome Victor Lucas from Electric Playground. We always seem to run into each other. He's great. I also met his co-host, Scott Jones. He's great too - and very tall! On my approach to the Nintendo booth, again, I said hello to Jessie Cantrell from the Nintendo Show 3D. She was lovely. I also met Adam Sessler. He was cool, but not quite as lovely as Jessie – but did have a nice hat! I checked out Castlevania on 3DS (very nice) and Retro City Rampage on Vita (very nice), where I ran into my good friend David Levy. It was great to catch up with him. Awesome and talented guy (worked on concept art for Tron and Prometheus, to name a few – amazing!) I also got my hands on some Zen Studios slippers courtesy of Bobby Loertscher – thanks Bobby!
The rest of the day was taken up with an off-site meeting, which finally ended and got me back downtown that evening in time for a meet-up at the Figueroa Hotel again. I met up with Tyrone, Corbie, and a host of other good peeps, including Craig Harris of IGN fame. Craig and I first met many moons ago in the Nintendo 64 days. Where did we run into each other this year? Yeah, in front of the bathroom. Lovely locale. It was great to catch up and chat about his new game, Aliens: Colonial Marines. The night ended with the Corbster and me hanging out at the JW Marriott bar snacking on sliders and drinking beer. I ran into Nick Chester of Destructoid / Harmoix fame, and also saw Tommy and Shannon again!
E3 2012 was a great show. I wish I had more time to play more games, but I appreciate the fact that I got to see so many good people. E3 2013 can’t come quick enough. I wonder if it will even be in LA next year!
Saturday, June 2, 2012
E3 2012
Today is Saturday, June 2, 2012. It is 7:45am. I woke up about an hour ago. On Tuesday, June 5, 2012 at 9:35am I will be on a flight to Los Angeles for the video-game industry’s largest event of the year: the Electronic Entertainment Expo (E3). I am excited.
E3 is a strange and awesome event that satisfies many senses. The size of the event, held at the LA Convention Center, is big! Taking up two large halls in the convention center, separated by a long concourse, you are guaranteed to get some exercise over the three days of the show.
Every major player in the video-game industry is present, in some form or another, whether it is with an overly-impressive booth or they’re walking around carrying their wares to share with anyone interested (that’s me). If you ever wanted to know where to go to find someone in the industry, this would be the place. But, without a scheduled meeting, it might be difficult to find them in the sea of thousands of industry folk.
I always find myself making a beeline for Nintendo’s booth each year. They usually have something new and exciting to show, and this year should be no different. With last year’s unveiling of the Wii-U, E3 2012 marks the moment the new console must impress. Now that Nintendo’s 3DS handheld has finally proved its value to the world, all eyes are on Nintendo’s home console.
Each year I schedule meetings with press and publishers. I meet with the press to show off our latest games, and I meet with publishers to forge partnerships in the hope of releasing new games. Very few decisions are made at E3 in terms of funding new ventures, so it becomes social up keeping more than anything else. However, as we head toward a more independent era with the dawn of digital distribution, it is interesting how that dynamic is changing – at least for us.
This year I will be showing off Bomb Monkey and ATV Wild Ride 3D on the 3DS. Bomb Monkey has been submitted to Nintendo for final approval, and will hopefully be released in June on Nintendo eShop (fingers crossed). ATV Wild Ride 3D is a few months away from completion. I hope to capture some video footage of people enjoying the multiplayer mode of Bomb Monkey at E3 for a trailer I’d like to release around the time of the games’ release. We’ll see how that goes. :)
My favorite part of E3 is seeing my friends and meeting new friends. To have an event centered on your favorite hobby, and to be able to geek out about it with like-minded friends for three days is not to be understated. It is a time to forget about the bills and all of the other worries of everyday life and share in the joy of video-games with pals. Consuming alcoholic beverages in the evenings while discussing the games of new and old at – what have become – familiar haunts in LA is something that never gets old.
By the end of Thursday, June 8, 2012 I will be tired; tired from walking, talking, and drinking far more than I do in my normal life. It will be a bittersweet moment filled with happiness for the chance to relax, and sadness with the realization that it is all to be over again. And then I’ll look forward to E3 2013!
E3 is a strange and awesome event that satisfies many senses. The size of the event, held at the LA Convention Center, is big! Taking up two large halls in the convention center, separated by a long concourse, you are guaranteed to get some exercise over the three days of the show.
Every major player in the video-game industry is present, in some form or another, whether it is with an overly-impressive booth or they’re walking around carrying their wares to share with anyone interested (that’s me). If you ever wanted to know where to go to find someone in the industry, this would be the place. But, without a scheduled meeting, it might be difficult to find them in the sea of thousands of industry folk.
I always find myself making a beeline for Nintendo’s booth each year. They usually have something new and exciting to show, and this year should be no different. With last year’s unveiling of the Wii-U, E3 2012 marks the moment the new console must impress. Now that Nintendo’s 3DS handheld has finally proved its value to the world, all eyes are on Nintendo’s home console.
Each year I schedule meetings with press and publishers. I meet with the press to show off our latest games, and I meet with publishers to forge partnerships in the hope of releasing new games. Very few decisions are made at E3 in terms of funding new ventures, so it becomes social up keeping more than anything else. However, as we head toward a more independent era with the dawn of digital distribution, it is interesting how that dynamic is changing – at least for us.
This year I will be showing off Bomb Monkey and ATV Wild Ride 3D on the 3DS. Bomb Monkey has been submitted to Nintendo for final approval, and will hopefully be released in June on Nintendo eShop (fingers crossed). ATV Wild Ride 3D is a few months away from completion. I hope to capture some video footage of people enjoying the multiplayer mode of Bomb Monkey at E3 for a trailer I’d like to release around the time of the games’ release. We’ll see how that goes. :)
My favorite part of E3 is seeing my friends and meeting new friends. To have an event centered on your favorite hobby, and to be able to geek out about it with like-minded friends for three days is not to be understated. It is a time to forget about the bills and all of the other worries of everyday life and share in the joy of video-games with pals. Consuming alcoholic beverages in the evenings while discussing the games of new and old at – what have become – familiar haunts in LA is something that never gets old.
By the end of Thursday, June 8, 2012 I will be tired; tired from walking, talking, and drinking far more than I do in my normal life. It will be a bittersweet moment filled with happiness for the chance to relax, and sadness with the realization that it is all to be over again. And then I’ll look forward to E3 2013!
Monday, May 14, 2012
Thursday, March 22, 2012
pitchWinPLAY Competition!
GAMESCRIBE ANNOUNCES TEAM UP WITH DEVELOPER RENEGADE KID IN LAUNCHING AN EXCITING NEW GAME PITCH COMPETITION: PITCH.WIN.PLAY!
Pitch your game idea. Win the competition. Play your game!
GAMEscribe, LLC announces the launch of the very first pitchWinPLAY competition! Starting on March 25th, 2012, they will begin accepting video game pitches for a new side scrolling platformer to be developed by Renegade Kid through the official website www.pitchwinplay.com.
"We are very excited to be bringing this opportunity to creative gamers everywhere, to those who have ever had the dream to see their ideas come to life but just never had the means to make it happen." says John F. Kaiser III, founder of GAMEscribe, LLC.
To make this happen GAMEscribe has partnered up with award winning developer Renegade Kid, creators of the award winning Dementium series, cult racing hit ATV Wild Ride and critically acclaimed Mutant Mudds, to develop the winning entry into a video game for the Nintendo 3DS eShop.
"This is a very unique and exciting opportunity for everyone. To think that someone out there will submit the winning pitch and actually be able to play their game is quite magical." raves Jools Watsham, co-founder and creative director of Renegade Kid.
Game industry professionals will judge entries based on their Originality, Marketability, Feasibility and Communication. Entrants will be narrowed down to the top 10 Semi-Finalist which will then be sent on to guest judges to help rank the top 3 choices. Grand Prize is to have their pitch become reality! See official website for complete list of prizes.
* Conditions and restrictions apply. See www.pitchwinplay.com/rules for details.
About GAMEscribe
GAMEscribe, LLC was formed in 2011 by John F. Kaiser III with the goal of giving a means to gamers who have all these ideas for games running around in their head but no means to make them a reality. This is now achieved through the pitchWinPLAY competitions.
About Renegade Kid
Founded in 2007 by Jools Watsham and Gregg Hargrove, Renegade Kid LLC is an independent video-game development studio based in Austin, Texas. Best known for their award winning Dementium™ series and the critically-acclaimed Mutant Mudds™, Renegade Kid has embraced Nintendo's new Nintendo 3DS handheld with the development of Majesco's Face Racers: Photo Finish, UTV Ignition'sPlanet Crashers, and "Cult racing hit", ATV Wild Ride 3D.
GAMEscribe
contact@pitchwinplay.com
Renegade Kid
info@renegadekid.com